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The evening of October 26th, 2024, at the Royal Albert Hall was one of those unforgettable movie moments for me. The atmosphere was buzzing with nostalgia and excitement as the audience gathered to witness the iconic film Ghostbusters (1984) in a way few have ever experienced: accompanied by a live orchestra. This unique event was a celebration not just of a beloved movie but of the legacy it has carved out in the hearts of fans worldwide.
With its grand architecture and rich history, the Royal Albert Hall provided the perfect backdrop (even a little spooky) for this special event. As we all filtered in, the excitement was palpable. Fans wore their Ghostbusters uniforms, proudly sporting proton packs and ghost-trapping gear, creating a vibrant tapestry of ectoplasmic fandom. The sight of adults and children embracing their inner Ghostbusters only added to the atmosphere, a community brought together by their love for this film.
What truly elevated the evening was the surprise conductor (at least for me)—Peter Bernstein, son of Elmer Bernstein, who composed the original score for Ghostbusters. Peter's presence was something special, an emotional nod to his late father's legacy. In his heartfelt introduction, he shared insights into how his father's music shaped the film and also how his father influenced Peter's journey in music. You could feel the collective nostalgia as fans recognised the profound connection; it was as if they were honouring the film and the family behind its legendary score.
Adding to the emotional tenor of the evening was a prelude recorded specially for the event by Dan Aykroyd, one of the original stars of Ghostbusters (you knew that, right?), filmed outside, what looked like GhostCorp HQ. His voice resounded through the hall, providing a new story to add to our rewatching of, undoubtedly, one of his most recognisable roles. This personal touch, drawing fans deeper into the experience, was moving. It was like receiving a warm invitation from an old friend, reminding everyone why they fell in love with Ghostbusters in the first place.
Further enhancing the night, Jason Reitman, son of original director Ivan Reitman, took to the screen to share his own reflections on the film's enduring legacy. His introduction was not only a tribute to his father's work but also a powerful reminder of how art transcends generations. It was evident that Peter and Jason carried their fathers' legacies with pride, and the audience was genuinely moved as they connected past and present.
As the film began, the orchestra slowly filled the silence with the unmistakable eerie music that fans know so well. The score was a mix of orchestral and original soundtrack, such as "Who ya gonna call?" (to which I think everyone responded with gusto). At times, it was hard to tell that the orchestra had taken over as they blended the live score so well. The laughter and cheers from the audience created an immersive atmosphere that felt like a celebration of cinematic history.
If you ever find yourself headed to London, keep an eye on the Royal Albert Hall's calendar; these events are rare gems that create lasting memories, and I know my kids want to go back for Back to the Future on this day in 2025! October 26th, 2024, wasn't just about watching a movie but about being part of a community. As the credits rolled and the audience erupted into applause, it was clear: this was an experience that every Ghostbuster fan will cherish forever.
Oh, and to the lady who sat next to us (Kathy?) with her hobbled husband and kids, thanks for explaining what the kids now use the phrase “Bustin' makes me feel good” for! I'll never be able to say that again with a straight face!!!